fuzz factory manual

Vex and allows the effect to become more accessible to musicians. The Vexter Fuzz Factory contains the same circuit as the original Fuzz Factory pedals, with the inclusion of modern touches such as an indicator LED and DC power jack for powering the fuzz with an adapter. As of August 2006, Vexter series Z.Vex pedal subassemblies are completed in Taiwan, but a large portion is still done in Minnesota.This version kept most of the circuitry the same, but added a voltage-sensitive copper plate affixed to, and extending downward from the bottom of the unit. This copper plate, hardwired to the 'Stab' control on the pedal, allowed for real time control by use of one's foot or hand. By varying the distance from appendage to plate, the self-oscillation effects of the Fuzz Factory (Probe) circuit could be tempered and played musically, similar to a Theremin.In addition, circuit bending is now a commonplace technique among experimental electronic musicians, with the principles employed in the Fuzz Factory being extended to include almost any electronic device.The feedback heard at the beginning of Plug In Baby is a Fuzz Factory oscillating before Bellamy launches into the song's iconic riff. Bellamy also owns several guitars with a built-in Fuzz Factory which he came up with the concept and was built by Hugh Manson of Manson Guitars. It was retired after the Absolution era, but Bellamy still uses the Fuzz Factory in the studio and on stage.By using this site, you agree to the Terms of Use and Privacy Policy. Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Learn More (Opens in new window) Click To Read More About This Product Some exclusions apply. Questions? CallThough the circuit isn't modeled after any one specific classic fuzz, it delivers tones straight out of the 1960s.

• fuzz factory manual pdf, fuzz factory manual, zvex fuzz factory manual, fat fuzz factory manual, zvex fat fuzz factory manual, fuzz factory manual, fuzz factory manual.

Our line is a unique blend of no-rules engineering and artistic whim, from our affordable Vexter series to our hand painted and custom designed items. Colors and details may vary. Discover everything Scribd has to offer, including books and audiobooks from major publishers. Start Free Trial Cancel anytime. Fuzz Factory 11 Knob Clone Manual V1 Uploaded by gilgoos 0 ratings 0% found this document useful (0 votes) 22 views 4 pages Document Information click to expand document information Description: Schematics for a Fuzz factory 11 knob clone. Report this Document Download Now Save Save Fuzz Factory 11 Knob Clone Manual V1 For Later 0 ratings 0% found this document useful (0 votes) 22 views 4 pages Fuzz Factory 11 Knob Clone Manual V1 Uploaded by gilgoos Description: Schematics for a Fuzz factory 11 knob clone. Full description Save Save Fuzz Factory 11 Knob Clone Manual V1 For Later 0% 0% found this document useful, Mark this document as useful 0% 0% found this document not useful, Mark this document as not useful Embed Share Print Download Now Jump to Page You are on page 1 of 4 Search inside document Browse Books Site Directory Site Language: English Change Language English Change Language. The Fuzz Factory is based on, yet vastly expands the tonal palette of, classic fuzztone designs from the 1960s. Invented in the mid-1990s, the pedals are mostly handbuilt and painted in Minnesota, United States, with a budget line being manufactured in Taiwan.These limited runs of custom paintjobs underscore the handmade, one-of-a-kind nature of the devices. From the earliest incarnations of the device in the mid-1990s, Jason Myrold painted all Fuzz Factories leaving the Z.Vex shop. Briefly during the mid-2000s the artist Laura Bennett assumed painting duties.The Vexter series differs from the Handpainted version in that it has a silkscreened enclosure and a shorter warranty period. This effectively lowers the price point, and makes both production easier for Z.

Gibbons and more. This new model Fuzz Factory The Vexter Series Fuzz. Factory is exactly the same as the hand-painted series in sound and Fuzz Factory. Fuzz Factory sound (one bar withThere are 3 knobs of control: Use enough for the amount of driveIt's now called the Octane 3, because IDon't ask. LED technology. The Jonny Octave is an octave-up pedal designed to raise the apparent The controls are, from left to right, Octave 2 Volume and Octave 1There are also trim pots on The absolute loudest,Meg) that your signal will be purer than you have ever heard. Also can get VERY loud to give your amp enhanced overdrive andOne knob: Negative feedback control like old 60sWhen it is on, youStarting in mid 2002 they now have an LED, and a bit higher price again.At it's heart is a dualWith the inputThe conventions ofLike try playing chords through it. Hmmm. But put it in front of any string of fuzz pedals, and tryMachine is actually a dualIt generates the distortion of theIn other words, itThat's the sameWhere nothing is happening, thisIf the Limit knobIf you put a tremolo pedal set smooth in front of it you'll hearConversely, you can get ringingThe biggest drawback to this pedal is thatGuitarists love it too, but onceThis also introduces anMore info on the Woolly. Mammoth. Also, inside there is a trim-pot adjustment to set the mix of ring-modulated sound Switch the bypass stomp Turn the first carrier knob The pitch of the carrier is lower to the right, with Push the left stomp switch to advance to the next carrier knob and repeat the For sequenced operation, set the small The left stomp switch selects sequenced or random All of the controls This means you have to turn them to the leftThe stepping characteristic ofSo many knobs, so littleI hope to get a manualWah.. Used by Scott. Henderson.

These 5 knobs control the Fuzz Factory's parameters at various operating levels, letting you shape your own personalized fuzz effect. ZVex designed the Fuzz Factory to consume less energy than other effects pedals. When on, the Fuzz Factory's current is less than 3 mA. This fuzz pedal is hand-painted and assembled, and each is unique. Fuzz Factory Controls Volume: Output level Gate: Squelches noise after end of sustain. Turn to the right to eliminate squeals, hiss, and buzz, stopping just as they disappear, or use to tune in exact feedback pitch. Turning to the left opens gate. Compress: Adds attack characteristic when turned to the left, which gets softer to right, and suddenly pinches tone when all the way right. Also tunes in fat, feedbacky fuzz. Lower the Stability and see what happens to this control. Stability: Use to control feedback pitch. This is one of the more finicky controls, so it will take some experimentation to get it right. All Rights Reserved. Publisher does not accept liability for incorrect spelling, printing errors (including prices), incorrect manufacturer's specifications or changes, or grammatical inaccuracies in any product included in the Musician's Friend catalog or website. Prices subject to change without notice. MN by Zachary Vex and his analog elves. They have been reviewedNow you should GET ONE! All have super low currentThe Ozone layer thanks Z.Vex! You may use the Box of Rock effectively You may use your guitar's volume You will notice the This is what I named my distortion circuit. It is very similar to the. SHO boost circuit, with refinements to make it sound more like a standard amp The boost channel can be used alone or in conjunction. The boost channel follows the distortionThese are so cool that Billy Gibbons. BOUGHT a dozen to give away as Christmas presents. This pedal can get extremeCareful! This pedal is WAY LOUD even atBut that is myYour volume and tone controls on theDavid Torn, Lloyd Cole, Silverchair, Billy F.

Lucky for me, I can promise one thing your direct guitar will sound impeccable. I can’t promise that the loop will sound good, you’ll have to make some adjustments to yourI can promise that the loop will be different from Nothing above 2.6 kHz. Brick-wall filtering.Always alters the original tone and dynamics.Lights up solid while recording, blinks once at the end of every loop. Stops in bypass mode.No dynamic preservation. No high-end detail except on direct guitar. No hi-fi.Tone: cuts noise and distortion. Makes the final sound of the loop Rec: record volume. You can decide how loud to drive the recorder Depth: vibrato depth. Adjust for the level of pitch twisting that Adjust for the speed that spins the sound around Hit this just as you start recording a new You can defeat This tiny switch lets you save a favorite Woo-hoo! Yee-haw! But the power supply includedIMP AMP in stock. Remove the battery from the effect and clip the battery clip from the. Power Plate to the battery clip in the effect. Put some tape You can angle the This power supply adapter works well with any type of D.C. powerWhen ordering, Z.Vex pedals. This was a rude, loud, dirty fuzz pedal in an era that was rapidly becoming overpopulated by high-gain valve heads, and before the boutique pedal boom had really hit its stride. If it’s true that you get what you pay for, I’d probably be a bit My Vexter Fuzz Factory arrived in a cardboard box, with the pedal inside wrapped in cloth, bound with what appeared to be groovy hair bobbles, and with a helpful photocopied instruction manual alongside the expected warranty information. Wrapping the pedal up in this way was a nice little touch, and it reminded me of playing Pass The Parcel as a kid, and the thrill of the parcel stopping on you when you know there’s only one layer of wrapping paper left. I’m a sucker for this sort of stuff.

If you don't know whatWhen you turn it on, it will probablyIf the lights are all going in aThere's a littlePut the tiny switch in the MIDDLEStrum a chord and let it hang,Bob your head to the tempo,If you're familiar with seventiesThere's a total of 9 knobs, the leftmost being a speed control,You can set up patterns which accentuateControls: Speed (tempo), eight wah settings for sequencer, eight. LED's to indicate which wah setting is in use and it's level. Switch for 4, 6, or 8 total steps, and True Bypass Stomp Switch. Probe. You can tap on this pedal with yourYou can also useProbe The user can get allComplete mayhem in a box. it'sI could have made it just control that LED, I mean, that's enoughThe closer youFast wah-bles, swirly moans,Probe features a Super Hard-On circuit as well as the wah so youZachary wrote this toI found myselfI didn't think thisIt makes my plexiThe pickguard hides a probe antennaThe push-push bypass switch is theThe detailing includes metal pickupAvailable in candy-apple red,So let's justOK, have too much fun, but don'tUnless that's what you want, ofGood ol' Pete. Townsend did it. Well, at least he poked his speakers out. AllHEY! I responded to yourROctober '01.) Also, in this SUPER-DUPER 2-IN-1 (TM) (gosh IWell, suffice to say, if it weren't there,I've made something. You'll have to decide if it's worth it. It took me years of goofingI've put my best foot forward to make your guitar sound really special this time. The recorded version of your performance may never sound the same as the original, It’s really low fidelity. The recording of your guitar is filled with hiss, moan, distortion and warped-record Because the processing of your direct guitar is done with my new bootstrap circuit,Enter the Lo-Fi Loop Junky. No one will ever question who is who and what is what again. Some say that the compression is immaculate, while some say it destroys any conceptSome say that the noise is intolerable some say it’s asSome people have no taste.

Show details In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Register a free business account Please try your search again later.The Vexter Fuzz Factory from ZVex is a 5-knob fuzz pedal with 2 NOS '60s germanium transistors, and it comes in a hand-polished aluminum chassis with hand-silkscreened, 2-color text. Though the circuit isn't modeled after any one specific classic fuzz, it delivers tones straight out of the 1960s. These 5 knobs control the Fuzz Factory's parameters at various operating levels, letting you shape your own personalized fuzz effect. ZVex designed the Fuzz Factory to consume less energy than other effects pedals. When on, the Fuzz Factory's current is less than 3 mA. This fuzz pedal is hand-painted and assembled, and each is unique. Fuzz Factory Controls Volume: Output level Gate: Squelches noise after end of sustain. Turn to the right to eliminate squeals, hiss, and buzz, stopping just as they disappear, or use to tune in exact feedback pitch. Turning to the left opens gate. Compress: Adds attack characteristic when turned to the left, which gets softer to right, and suddenly pinches tone when all the way right. Also tunes in fat, feedbacky fuzz. Lower the Stability and see what happens to this control. Stability: Use to control feedback pitch. This is one of the more finicky controls, so it will take some experimentation to get it right.Everplay Music Videos for related products 7:32 Click to play video Nux MG-20 Electric Modeling Guitar Merchant Video Next page Upload your video Video Customer Review: Digitech TRIOPLUS Band Creator and Looper Review See full review Guitar Interactive Onsite Associates Program To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon.

It also analyzes reviews to verify trustworthiness. Please try again later. Parker P. 5.0 out of 5 stars Made with high quality parts and assembled with care. Well packaged, and instruction manual is very useful. Takes up very little space. Sounds great. Cons: No dedicated EQ controls, but different settings will bring out highs, lows, and such. It would just be nice to change the EQ without having to make adjustments the also change the character of the setting you like. Pedal order matters, so wahs and buffers may not do so well placed before this pedal. The switch is very close to the knobs, so watch your step.It is initially a bit confusing when you first plug this sucker in because given the pedal's sensitivities, the knobs tend to have some really unexpected effects.which is at once exciting and a fairly frustrating. Exciting because you will randomly stumble upon some crazy sounds (I found a configuration yesterday that squeezes the sound into an almost classic-NES tone) and frustrating when you're simply trying to dial into a more specific, traditional tone. Still though, you can't really beat this pedal if you're looking for some crazy fuzz sounds that you would never be able to get out of any other fuzz pedal. It really allows you to explore the full spectrum of the effect.and I mean the FULL spectrum.I tend to like clean sounds and the sound of tube amps pushed to the edge of breakup, without going over the top. When I was a gigging musician, I aimed for a more transparent sound. I wanted good tone without effects being too noticeable. Back in the day, I would have had no use for something like the Fun Fuzz Factory in a gigging situation. However, I was always intrigued by unusual sounds and could sometimes be found alone in the rehearsal space experimenting with some of the extreme settings on my effects or pushing the gain in my amp for some crazy distortion sounds. I had a DOD Analog Delay 680 that could do some wild oscillations.

The Fuzz Factory gives you much more control over the sound courtesy of a quintet of controls (compared to the Fuzz Face’s mere two). These are Volume (output level), Gate (transistor bias), Compression (another transistor bias), Drive (input level) and Stability (supply voltage). These names are only rough guides to what the controls do though, and they don’t really tell the full fuzz story. Depending on where one is set, the next might have a very different effect than it might otherwise have. That’s what makes the Fuzz Factory so much fun. For instance, the Compress control behaves very differently if you lower the Stability control, and Drive becomes redundant when you crank up the Compress knob. This medium-gain setting is great for percussive, jabbing single-note lines, and while it sounds nice and chewy with single coil loaded guitars, it adds a little twang to humbuckers too. The Velcro Fuzz setting outlined in the manual is endlessly entertaining, with a sort of lo-fi sizzle. But as helpful as the manual’s settings are in getting you started (and they are indeed very helpful), I found a few of my personal favourite settings by exploring the boundaries where the sounds go from musical to cataclysmic. A great way to do this is by taking the Gate knob to right where just enough sound gets through in between your notes that it creates odd oscillations (dialled in to perfection by balancing the Compression and Drive knobs). Dial back the Stability for some crackle and chaos and you’ve got yourself a unique sound you would never, ever be able to replicate with a different pedal, or keep Stability fairly high and you’ll get an almost controlled-feedback quality from actual picked notes, even if you play super-fast. In fact the ability to boost the output courtesy of the Volume control means you can use the Fuzz Factory to goose the input of a tube amp to increase its preamp tube distortion if you so wish.

Meanwhile higher drive settings and more severe jurisdiction over the Gate and Compression controls will lead you to fat, full-bodied, harmonically rich distortion sounds. One way of keeping it in line is to make sure you ride your guitar’s volume knob, keeping it down all the way when you’re not playing. Balance Gate and Compression just so and you’ll actually be able to control the pitch of the squeal with your guitar’s volume knob, which is great for conjuring science fiction-y, Theremin-type sounds on stage without having to lean over and tweak the pedal with your picking hand.The Gate control will go some way towards rectifying this, but you have to be prepared to take the bad noise with the good, and there are some tones which simply don’t sound as awesome if you have to gate them too much, background hum or no. But dude, this is rock n’ roll. A little noise never killed anybody. It’s a pedal that practically demands creativity from the user, and although it can pull off great traditional fuzz sounds with ease, its sheer range of sound manipulation is so wide that it really becomes the sound of the player, rather than making the player sound like the pedal. Over the years you may have seen my writing on Guitar World, Premier Guitar, Seymour Duncan, Gibson.com, Australian Guitar, Australian Musician, Mixdown Magazine Blunt, Beat, The Brag, StarWars.com and many more. I've also worked as a guitar teacher (up to 50 students a week), a setup tech, a newspaper editor, and I've dabbled in radio a little bit. I live in Melbourne, Australia, and my hobbies include drinking way too much coffee, and eating way too much Mexican food. Our payment security system encrypts your information during transmission. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Please try again.Please try again.

I would love playing with it even if it had no place in the music I was playing. I've long given up gigging and now spend most of my time playing at home or jamming with friends. As such, I've started to experiment with sounds again, musical and otherwise, and was intrigued by the Fat Fuzz Factory after seeing some YouTube videos. I've never owned a true fuzz pedal like a Fuzz Face or Big Muff, so I may not be the best person to evaluate a fuzz box, so take what I say with a grain of salt. The product itself seems to be well made and was presented in an interesting and somewhat unique way. The pedal came in a somewhat plain white cardboard box. Inside the unit was wrapped in a soft cloth (might make a good guitar shammy) tied together with what looks like a fancy scrunchy with some interesting cube doohickies on the end. Also included was a warranty card and brief instruction sheet, the same that can be found on the Z. Vex website. And I was pleasantly surprised to find that the pedal came with a battery already installed. The pedal has a very solid feeling case and the screened paint job looks very professional while maintaining a boutique look. According to the Z. Vex website, the Vexter edition is the same construction as the regular edition but is cheaper because it's silk screened and not hand painted. I can't hear hand painting so I'm not sure why you would pay extra for this. However, I think there may be some differences in where, and possibly how, the pedal is constructed. The instructions are somewhat vague and a little tongue in cheek (for those that are that kind) but did provide some example settings. When I first plugged it in though, all I got out of it was some crackles and pops and nothing that resembled music in any way. I fooled around with it for a few minutes and got what I thought was an almost usable sound, but not something I was particularly thrilled with. This was plugged into a small 10 watt tube amp.

Thinking that maybe I had blown a tube or something else was wrong with my amp, I plugged it into a larger solid state amp. This produced some much more musical type sounds that actually sounded like guitar to some extent. I then tested my tube amp without the pedal board to see if the amp was broken. While I was happy to find that the amp seemed to be working OK, it was somewhat disconcerting to think that the pedal wasn't compatible with the amp I use most often. I've read that germanium fuzz pedals can be sensitive to temperature changes. Given that I had just opened the UPS box, I thought I'd leave the pedal for a while and give it a chance to get acclimated. When I returned to my rig about an hour later, it did seem like the FFF was behaving better. That is certainly relative though, as this is really not like any other pedal I've used before. It seemed as if I could either get it to produce a rather generic distortion or those crazy sounds that made the amp seem like it was broken, but at least I got something I thought I could use. As I played around with it I discovered some very interesting sounds, that while they might not fit with what I usually play, were certainly a lot of fun to experiment with. You have to be very careful with this pedal because each of the 5 knobs seem to affect the others significantly and in at least one case one knob can totally disable another. For example, if you dime the compression the drive has no effect. It seems like small variations in the knob position can also have big effects on the sound. On at least one occasion I found what I thought was a great sound, but had trouble duplicating it later. For what it's worth, you'll want to take notes on the settings if you want to have any chance of creating reproducible sounds. Then again, given that the external environment can affect the sound, good luck with that.

This pedal can be a lot of fun if you're looking for experimental sounds, Velcro type sounds, radio interference fuzz, and wildly oscillating tones and feedback that can be controlled from your guitar knobs or by riding the knobs on the pedal itself. While I've heard this pedal cop some Hendrix and Zep sounds, if that's really what you're looking for, you'd probably be better off with a more conventional fuzz box. If however, you are into creating unusual soundscapes or are looking for some inspiration for your shoegaze songwriting or other sonic experimentation this may be just what you need. I gave the pedal 4 stars instead of 5 because I personally don't think this is a very useful tool for most music genres, but I do think it's well built and quite a lot of fun. You have been warned!Solid construction and artwork----and endless sound variations are available --- all depending on the decisions and subsequent set-points of the player. Fun Fun Fun. The neighbors will be polarized in your favor or against Live Hard Die Free and crank this while you have a heartbeat Connected to a Mesa Boogie w 3 channels, its amazingMy only hang up is that it's a little hard to adjust as the knobs are interactive. But you are told that upfront in the product description. Very little noise compared to other fuzz boxes. I would use it in the studio and at home, only would use it live, it I have a lot of room on stage to insure not bumping the knobs in the middle of a song. Truly a unique effects box.Buy it if that's what you're looking for!This is your answer. I love this pedal. However, again it's a fuzz pedal so don't expect anything but raw fuzz soundscapes.Imballaggio perfetto. Il pedalino e spettacolare, un fuzz di grande qualita. Il noise gate ne agevola l'utilizzo, e possibile impostare molte tipologie di suono, io in questo caso preferisco un fuzz HI Gain molto compresso.

Volendo essere pignoli, in questa tipologia di fuzz la tendenza e non mettete un'equalizzazione in quanto demandata all'ampliaficatore o ad un boost, ma a mio avviso almeno un controllo di tono potrebbe aiutare certe impostazioni che possono risultare un po' troppo spostate sui bassi. Ma nel complesso un pedale spettacolare.In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Its strange, unruly sounds and twitchy sensitivity were in stark contrast to the typical fuzz units that most players were used to. Younger guitarists might not realize that the choices for fuzz pedals were pretty limited at the time, and for adventurous guitarists looking for fresh sounds, the Fuzz Factory and its mad timbres seemed like a prayer answered.But with the exception of the Theremin-like Fuzz Probe, the Fuzz Factory hasn’t really been updated with any new abilities for generating additional tones. And this explains why the new Fat Fuzz Factory is creating so much excitement.This switch not only makes the Fat Fuzz Factory a beastly fuzz generator for guitar, but also helps it enhance the lower-register output of basses with Earth-shattering results.It also uses true bypass switching and runs on either a 9V battery or a Boss-style power adapter, but because it only pulls 4 mA—which is astonishingly small—it will be a long time before you have to replace the battery. The pedal comes in two flavors—a handpainted version that’s completely assembled in the U.S. and a more affordable Vexter edition that’s partially built in Taiwan and sports a silk-screened motif.Because moving one control can have a drastic effect on how the others react, dialing them in can, at first, seem challenging. Thoughtfully though, the manual provides a few sample settings to get you started with high-gain compressed fuzz, Velcro-ripping tones, and cleaner Octavia-type effects.

Above the drive and stab knobs lies a three-way switch for setting the low-end frequency range. When set to 1, the pedal is in standard Fuzz Factory mode. Moving it to positions 2 and 3 add more sub-harmonic intensity, and gradually darken and thicken the fuzz to degrees well beyond what the standard Fuzz Factory is capable of.Putting the mode switch in position 1 yields the pedal’s brightest and sharpest tones, and its clear and uncluttered tonality make it the best setting for newcomers, as well as the best way to hear how the controls interact and affect the tone.Dropping the comp and drive to their lowest settings and turning up the gate to around 2 o’clock applies a low-gain, upper-octave effect to each note. These are only a couple of examples that can be discovered fairly quickly. Deeper tweaking, however, can reveal all sorts of otherworldly tones—smooth fuzzes that drop notes down an octave after holding them for a few moments, motorcycle engine revving, space-age ray gun bursts, and much, much more. Can be run in standard Fuzz Factory mode. Minimal battery draw. Massive volume capability. Can produce warm Moog-like emulations with both guitar and bass. Finicky with pedal-chain placement. Switching to modes with more low end can introduce sudden oscillation. There are still plenty of the Fuzz. Factory’s characteristic sizzling highs in the mix, but you’ll hear aIn this environment, sustainedLowering the gate controlTheremin.Switching toAdding more gating to higher-gain settings yields a grinding synth-like tone that dies with a gnarly sputter—almost as if someone directly hard-wired a dual octave-down pedal to a circuit-bent Casio keyboard. Because of the very dense and complex tones you get in this mode, it’s easy for chords to turn into a jumbled mess. It’s best for single notes that need a little extra kick, or bassists who need more depth and intensity in their lines.